Offer & Exchange: Sites of Negotiation in Contemporary Art curated by Daniel McClean and Lisa Rosendahl is a series of site-specific commissions exploring the use of rules, instructions, contracts and performance in the contexts of contemporary art and the law. The project brings together individually commissioned art works appearing across a variety of exhibition sites over the next eighteen months, culminating in a publication which documents and contextualises the commissions (to be published by Ridinghouse, London in 2009).
Artists using legal contracts as artistic frameworks – including Maria Eichhorn, Jonathan Monk, Santiago Sierra, Superflex and Carey Young – have been invited to respond to one of the following key categories of 'site' where art is made visible by being exhibited, publicized, sold or collected:
i. the commercial gallery
ii. the corporate collection
iii. the art magazine
iv. the public institution
v. the private collection
vi. the auction house
vii. the art fair
In this context, 'site' is approached as a set of relations governing processes of negotiation. Engaging with the legacies of Conceptual art and Institutional Critique, each resulting commission reflects upon the specific aesthetic, social, economic and legal relations that govern the production and dissemination of art in these different sites of mediation.
The commissions use contracts and the specificity of legal language to express boundaries and construct frameworks for action, as well as to emphasize the existence of conflict, negotiation and value exchange within artistic production and consumption. In different ways, each commission articulates and appropriates the relationships between artist, artwork, viewer and exhibition site as a way of exploring the structures that condition them.
Artists using legal contracts as artistic frameworks – including Maria Eichhorn, Jonathan Monk, Santiago Sierra, Superflex and Carey Young – have been invited to respond to one of the following key categories of 'site' where art is made visible by being exhibited, publicized, sold or collected:
i. the commercial gallery
ii. the corporate collection
iii. the art magazine
iv. the public institution
v. the private collection
vi. the auction house
vii. the art fair
In this context, 'site' is approached as a set of relations governing processes of negotiation. Engaging with the legacies of Conceptual art and Institutional Critique, each resulting commission reflects upon the specific aesthetic, social, economic and legal relations that govern the production and dissemination of art in these different sites of mediation.
The commissions use contracts and the specificity of legal language to express boundaries and construct frameworks for action, as well as to emphasize the existence of conflict, negotiation and value exchange within artistic production and consumption. In different ways, each commission articulates and appropriates the relationships between artist, artwork, viewer and exhibition site as a way of exploring the structures that condition them.
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