Thursday, November 20, 2008

Blanton Museum of Art

Marcelo Pombo is one of the key figures to emerge from the 1990s art scene in Argentina. For the current WorkSpace, he presents six new paintings (2007–2008) that depict imaginary worlds. Around them he recreates a hotel lobby by introducing decorative ornaments and furniture into the museum's gallery. Pombo's skillful painting technique and his use of intense and saturated color result in works that posses sculptural and candy-like qualities, with projecting volumes and a sense of movement embedded in his abstract compositions. He uses acrylic paint to create visual collages that combine formal styles introduced by well-known visual artists—such as Cy Twombly or Fred Tomaselli—and ordinary decorative objects. His paintings allude to concepts of beauty and good taste, shedding light on the idea that both lie on the eye of the beholder. Pombo's recreation of an environment that resembles a hotel lobby breaks away from the seriousness of the common practices of white-wall museum displays. This exhibition makes a gentle but satirical comment on the kitsch ornaments and decoration of public spaces such as hotels and also on the increasing use of installations in contemporary art. 

Above all 
Ornaments in the Landscape, and the Museum as a Hotel Room invites the viewer to think about beauty. Defined in the dictionary as "the quality or aggregate of qualities in a person or thing that gives pleasure to the senses or pleasurably exalts the mind or spirit," beauty will always be defined by individual taste that is determined by personal context and the background of the viewer.

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