John Bock blurs artistic convention, constructing a boundless world all his own. Since the 1990s, the artist has become well known for his live, unpredictable performances, in which he has often employed uncanny costumes, assemblages and objects that both referenced and examined a range of social, economic, philosophical, and aesthetic interests. Although Bock's performances were documented on-camera early on, his practice has gravitated toward multi-media works in recent years, reflecting his current interest in the narrative structures and genre conventions of film.
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