PAUL PFEIFFER, TERENCE KOH AND SALVADOR CIDRÁS IN MUSAC FROM SEPTEMBER 27th
• MUSAC, guest institution at Frieze Art Projects 08 from October 16th to 19th with the project Intangible actions
Acclaimed American artist Paul Pfeiffer inaugurates at MUSAC Paul Pfeiffer. Monologue, his first one person project in Spain. Terence Koh presents Love for eternity, a foray into the unique creative universe of the Chinese-Canadian artist. Salvador Cidrás is to unveil24 horas 10 minutos [24 hours 10 minutes], a large site-specific installation of new works conceived and executed by the artist and produced by MUSAC. On the Exhibition Hall 1,Retorno a Hansala, a take on the creative process behind director Chus Gutiérrez's most recent film, from the perspective of artists Alfredo Cáliz, Rogelio López Cuenca and Montserrat Soto. The space Laboratorio 987 will host until November the show Gallo rojo, gallo negro by Antonio Ballester Moreno, and for the Showcase Project, MUSAC has invited Fake Magazine to develop an initiative, produced by the Museum itself, that essentially revolves around a special issue devoted to today's art, for which guest editor Tolo Cañellas has selected a number of works by contemporary artists.
• MUSAC, guest institution at Frieze Art Projects 08 from October 16th to 19th with the project Intangible actions
Acclaimed American artist Paul Pfeiffer inaugurates at MUSAC Paul Pfeiffer. Monologue, his first one person project in Spain. Terence Koh presents Love for eternity, a foray into the unique creative universe of the Chinese-Canadian artist. Salvador Cidrás is to unveil24 horas 10 minutos [24 hours 10 minutes], a large site-specific installation of new works conceived and executed by the artist and produced by MUSAC. On the Exhibition Hall 1,Retorno a Hansala, a take on the creative process behind director Chus Gutiérrez's most recent film, from the perspective of artists Alfredo Cáliz, Rogelio López Cuenca and Montserrat Soto. The space Laboratorio 987 will host until November the show Gallo rojo, gallo negro by Antonio Ballester Moreno, and for the Showcase Project, MUSAC has invited Fake Magazine to develop an initiative, produced by the Museum itself, that essentially revolves around a special issue devoted to today's art, for which guest editor Tolo Cañellas has selected a number of works by contemporary artists.
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