This exhibition brings together a group of new and rarely seen works by Paul McCarthy. It addresses a core element of McCarthy's art: the way in which physical and psychological de-stabilization is made to occur through the body's interaction with dislocated architectural space. This question has been central for McCarthy since his earliest experiments with destruction in painting and performance in the 1960s. The exhibition includes 'Spinning Room', a projective installation first proposed in 1971, 'Mad House', a new installation, 'Bang Bang Room' (1993) and a group of rarely seen film loops, videotapes and a slide work from 1966-1971.
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