Tacita Dean is best known for her work in 16mm film, although she utilises a variety of media including drawing, photography and sound. Her films often employ long takes and steady camera angles to create a contemplative atmosphere. Her anamorphic films are shot by cinematographers John Adderley and Jamie Cairney. She has also published several pieces of her own writing, which she refers to as 'asides,' which complement her visual work. Since the mid-1990s her films have not included commentary, but are instead accompanied by often understated optical sound tracks.
Especially during the 1990s, the sea was a persistent theme in Dean's work. Perhaps most famously, she explored the tragic maritime misadventures of Donald Crowhurst, an amateur English sailor whose ambition to enter a race to solo circumnavigate the globe ended in deception, existential crisis and, eventually, tragedy [1]. Dean has made a number of films and blackboard drawings relating to the Crowhurst story, exploiting the metaphorical richness of such motifs as the ocean, lighthouses and shipwrecks.
Since moving to Berlin in 2000, Dean has devoted more attention to the architecture and cultural history of Germany. She has made films of such iconic structure as the Berliner Fernsehturm and the Palast der Republik. Recent projects have concerned important figures in post-war German cultural history, such as W.G Sebald and Joseph Beuys.
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