New Zealand returns to the Venice Biennale for a fourth time with two artists in two venues.
Judy Millar creates a site specific installation for Venice's only circular church, La Maddalena* that pushes viewers up close to her visceral, gestural canvases; it's an immersive experience. The colour courses through the church, almost spilling out onto the piazza outside; this energetic work takes us into a new space.
Francis Upritchard installs a series of tableaux in three second floor rooms that look out over the Grand Canal of an exquisite Venetian palazzo. She uses the palazzo's ornate mirrors to backlight and reflect table-height scenes of figures, illuminated by her hand-made lamps. The figures are quasi human: figurative and yet small enough to be dolls; so highly coloured as to suggest they come from another world.
Millar and Upritchard reflect Birnbaum's theme of Making Worlds with these intense microcosms, one in a place of worship, the other in an intimate former residence. They both insist on a space for the contemporary in the antique Venetian landscape. Add to this the fact that these artists are committed makers: the physical aspect of Judy's mark-making is emphatic, whilst Francis' intensively worked figures reveal a long process of modelling, baking and painting: both overtly enjoy the 'work' element of making.
The venues are a short distance apart, parallel to the Grand Canal on one of the prominent walking routes between Venice's train station and the Rialto, in Cannareggio.
The exhibitions will be launched on 3 June starting with an early morning procession through the streets of Venice to both venues led by a Māori kaumatua who will give the traditional New Zealand blessing of inauguration to the exhibitions. This will be followed by a spectacular powhiri (Māori welcome ceremony) by a 20-strong award-winning Kapa Haka group and breakfast in St Mark's Square, accompanied by a performance by Moana and the Tribe.
The official opening parties showcasing the exhibitions for each artist will be held on 4 June beginning at Fondazione Claudio Buziol and proceeding to La Maddalena.
New Zealand's unique blend of contemporary and design culture has given rise to a fresh and vibrant Pacific identity. Kiwi culture is about being innovative, independent and celebrating diversity which has led to artists developing a Pacific style seen nowhere else in the world. Featured at Judy Millar's venue, La Maddalena, will be the New Zealand Room, a meeting place for visitors to explore New Zealand's contemporary art, culture, literature and design.
The entrance way will be adorned by a unique waharoa (gateway sculpture) by highly regarded Maori artist George Nuku, and visitors will be able to participate in the New Zealand room's interactive features as well as enter an online competition to win an "Arts Tour of New Zealand".
Both projects are being developed in association with Commissioner Jenny Harper and are initiatives of Creative New Zealand, the Arts Council of New Zealand, Toi Aotearoa.
To find out more about the New Zealand pavilions visit http://www.nzatvenice.com for regular updates on both artists' works, images, event details and New Zealand's history at La Biennale Di Venezia.
Judy Millar creates a site specific installation for Venice's only circular church, La Maddalena* that pushes viewers up close to her visceral, gestural canvases; it's an immersive experience. The colour courses through the church, almost spilling out onto the piazza outside; this energetic work takes us into a new space.
Francis Upritchard installs a series of tableaux in three second floor rooms that look out over the Grand Canal of an exquisite Venetian palazzo. She uses the palazzo's ornate mirrors to backlight and reflect table-height scenes of figures, illuminated by her hand-made lamps. The figures are quasi human: figurative and yet small enough to be dolls; so highly coloured as to suggest they come from another world.
Millar and Upritchard reflect Birnbaum's theme of Making Worlds with these intense microcosms, one in a place of worship, the other in an intimate former residence. They both insist on a space for the contemporary in the antique Venetian landscape. Add to this the fact that these artists are committed makers: the physical aspect of Judy's mark-making is emphatic, whilst Francis' intensively worked figures reveal a long process of modelling, baking and painting: both overtly enjoy the 'work' element of making.
The venues are a short distance apart, parallel to the Grand Canal on one of the prominent walking routes between Venice's train station and the Rialto, in Cannareggio.
The exhibitions will be launched on 3 June starting with an early morning procession through the streets of Venice to both venues led by a Māori kaumatua who will give the traditional New Zealand blessing of inauguration to the exhibitions. This will be followed by a spectacular powhiri (Māori welcome ceremony) by a 20-strong award-winning Kapa Haka group and breakfast in St Mark's Square, accompanied by a performance by Moana and the Tribe.
The official opening parties showcasing the exhibitions for each artist will be held on 4 June beginning at Fondazione Claudio Buziol and proceeding to La Maddalena.
New Zealand's unique blend of contemporary and design culture has given rise to a fresh and vibrant Pacific identity. Kiwi culture is about being innovative, independent and celebrating diversity which has led to artists developing a Pacific style seen nowhere else in the world. Featured at Judy Millar's venue, La Maddalena, will be the New Zealand Room, a meeting place for visitors to explore New Zealand's contemporary art, culture, literature and design.
The entrance way will be adorned by a unique waharoa (gateway sculpture) by highly regarded Maori artist George Nuku, and visitors will be able to participate in the New Zealand room's interactive features as well as enter an online competition to win an "Arts Tour of New Zealand".
Both projects are being developed in association with Commissioner Jenny Harper and are initiatives of Creative New Zealand, the Arts Council of New Zealand, Toi Aotearoa.
To find out more about the New Zealand pavilions visit http://www.nzatvenice.com for regular updates on both artists' works, images, event details and New Zealand's history at La Biennale Di Venezia.
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